The controls function the same as the previous controls.Īfter you have adjusted the right anamorphic flare controls you can then select different colors for the dark, mid and light tint color controls. Once you have the all the left anamorphic controls set you can then continue adjusting the right anamorphic flare controls. Underneath you can adjust the saturation, intensity, left opacity and streak hue. The Volumetric Diffusion slider will spread the flare across the screen covering a larger portion of your media. The Spectrum Section slider will expand and intensify your flare.Ĭontinue on by adjusting the twist light and softness slider. Moving the slider all the way to the right will give your flares a blue and a green color.Īfter you can begin adjusting the spectrum selection slider. This slider will mix your the colors that are present on screen.įor example moving the slider to the left will make the flares color brown, purple and blue. Let’s start by adjusting the over drive color additive slider.
Select your media and go to the Inspector Window. Then Locate ProMorphic in the FCPX Effects library.įor this example we will be using the horizontal ProMorphic 20 preset.Ĭlick and drag the effect directly on top of your media.
#ANAMORPHIC PRO MOVIE#
Let’s begin by selecting our media from the FCPX media library. Its unique oval shape allows to capture more horizontal information by squeezing the image, a method popular among movie makers such as JJ Abrams & Steven Soderbergh.
#ANAMORPHIC PRO HOW TO#
Learn how to create and customize your very own anamorphic lens flares with the ProMorphic Lesson. Simply choose one of the plugin from the library, select the effect you like, and use the FCPX Inspector to control the look.
#ANAMORPHIC PRO PRO#
ProMorphic was professionally designed to work inside Final Cut Pro X. If an object passes in front of the light source in your footage, you can see the Anamorphic effects from PROMORPHIC bend and adjust with the movement. This powerful plugin analyzes your footage and works off the existing light in your film. That being said, what is the most iconic kind of lens that. A few contenders are in the same price range, but a 6K quasi-raw at 2,495 is probably a unique and unrivaled asset of the Pocket 6K. The Pocket 6K can probably be nominated for the cheapest 6K cine camera on the market these days. ProMorphic is not just a simple video composite technique. Shooting with Anamorphic Lenses on the BMPCC 6K.
Go from naturalistic to stylistic in the click of a button. Using simple sliders, editors can adjust the length, ray definition, color, saturation, diffusion and intensity of their light. With 40 powerful presets and customization options, ProMorphic allows you to control your Anampohic effects to work perfectly with your footage. Many popular contemporary music video and Sci-Fi movies use Anamorphic Lens flares to create a stylistic theme throughout the film. With ProMorphic, you can create the these beautiful effects at a very affordable price.Īdding Anamorphic lens flares to your footage is a great way to add energy and excitement to your film with lighting that really pops. In Hollywood films, Anamorphic lens flares are made by using real anamorphic lenses, which cost thousands of dollars. They make long streaks and beautiful rays rather than circular flares like bokeh.
#ANAMORPHIC PRO ISO#
Not specifically with this scene but there was a couple more run and gun night scenes that we needed to crank the iso with and that resulted in the image getting quite noisy, but I was able to quite easily still get a good looking image after apply noise reduction in post.Description Anamorphic Flares with ProMorphic in Final Cut Pro XĪnamorphic lens flares can create stunning and dramatic looks. I was surprised that shooting in 12k 6:5 mode at 5:1 compression we where able to shoot about 1TB an hour. Using the Ursa 12k for the first time, was very Pleasent. They also breathe like a MF and don’t really flare which was interesting. We shot the entire film on both a 40mm and 75mm as pictured here at around a T2.8 to T4 as wide open I found the lenses to be to funky. Luckily for this film specifically it was pretty dialogue heavy and we shot most of it locked off. Anamorphic accessory lenses allow you to capture classic anamorphic characteristics like horizontal lens flares. The lenses themselves provided a very pleasing look for close ups, but they are absolutely massive and where a bit cumbersome to use with our limited means and resources. It was my first time using both Arriscope Anamorphics and the Ursa Mini 12k. If your are filming a music video or Sci-Fi movie, Anamorphic lens flares are a great stylistic approach. Anamorphic Lens over 3x zoom Moment M-Series - 1.33x Anamorphic Lens - Blue Flare Get that unique wide cinematic film look on your phone with the Moment Anamorphic Lens Blue Flare It gives you bright blue flares and a 1.33x widescreen look Buy for 99.99 Moment M-Series - 1.
Reposting as I had accidentally made my statement post in description and not as a comment.Īny way this was for a thesis film I was DP’ing.
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